Name: 好演技與大演技 (Good Acting vs GREAT Acting)
Uploaded: 2024-05-29T17:04:16.000Z
Duration: 12 min 43 s

怎樣才能成為一名出色的演員？

過去簡單式

I think it's a very subjective thing, right?

我認為這是一件非常主觀的事情，對嗎？

What differentiates good acting from great acting?

好演技與偉大演技的區別是什麼？

I think it is interesting because I think if you don't understand acting, then you also think that you kind of just turn up and just do it.

我認為這很有趣，因為我認為如果你不瞭解表演，那麼你也會認為你只是轉過身去做而已。

聽著，你現在要撫養我兒子嗎？

There's so much work you do beforehand so that you can arrive on set, you're so prepared that you can deliver that work in a very short space of time.

你要事先做大量的工作，這樣才能到達拍攝現場，做好充分準備，在很短的時間內完成作品。

The very subjective nature of this question makes it hard to pin down why certain performances make you feel emotionally moved, while others feel, well, stilted.

這個問題的主觀性很強，很難說清為什麼某些表演會讓你動情，而另一些表演卻讓你覺得呆板。

But I think people don't understand that preparation can take up to four, five, sometimes even six months.

但我認為人們不瞭解，準備工作可能需要長達四、五個月，有時甚至六個月。

The building the psychology and getting ready for the piece itself.

建立心理，為作品本身做好準備。

Actually getting to act is such a minuscule part of the experience that you have to love it that much.

實際上，表演只是體驗中微不足道的一部分，你必須如此熱愛它。

I spent a lot of time on 47th Street, so I spent a lot of time with a lot of gamblers who had bad problems and lost a lot of things and lost their lives because of it.

我在 47 街待了很長時間，所以我和很多賭徒相處了很長時間，他們都有很嚴重的問題，輸掉了很多東西，也是以失去了生命。

I walked away thinking I knew everything.

我以為我什麼都知道了，就走開了。

Right now, it's a year later, I'm like, I forgot so much.

現在，一年過去了，我想，我忘記了太多。

When I prep, I do timelines and backstories, and I work with a dialect coach and a movement coach and an acting coach.

在準備過程中，我會做時間軸和背景故事，並與方言教練、動作教練和表演教練合作。

And I just, yeah, I need to do a lot before I show up to set so I can throw it all out the window when I get on set.

我只是，是的，我需要在去片場之前做很多事情，這樣當我到了片場，我就可以把一切都拋到九霄雲外。

Is a great actor just someone who can cry on cue?

一個偉大的演員僅僅是一個會哭的人嗎？

My kids always say, I've never seen you cry.

我的孩子們總是說，我從沒見過你哭。

I want to see what you look like when you cry.

You've had to cry in a movie, though, haven't you?

你也曾在電影裡哭過，不是嗎？

I've done like five times where I had to go full-on crying, and it's not easy for me.

我已經哭了五次，這對我來說並不容易。

It's always like stifling for an actor when it's written in the scene, like they begin to cry or they cry.

當戲中寫到演員開始哭泣或哭泣時，總是會讓演員感到窒息。

And then you're like, yeah, this is the scene where I'm gonna like, I'm gonna lose it, like snot's gonna come out of my nose, I'm gonna freak out.

然後你就會想，是啊，這場戲我就要失控了，鼻涕要流出來了，我要抓狂了。

I'm not some, I'm not like a tear performer.

我不像某些人，我不像淚水錶演者。

I spent my life growing up like trying to make myself cry.

在我的成長過程中，我一直在努力讓自己哭泣。

I kind of give myself a little bit of a safety net when I say to the director beforehand, I'll be like, yeah, I might cry.

我事先會對導演說："是的，我可能會哭。"這也算是給自己一個安全網。

So you can only control your intention and your degree of engagement.

是以，你只能控制自己的意圖和參與程度。

In fact, when you're free of the idea of the result, sometimes the engagement can run so much deeper.

事實上，當你擺脫了對結果的想法，有時參與會更加深入。

Focusing on being sad or angry often leads to indicating that emotion, and aiming for a result leads to a performance that feels forced.

專注於悲傷或憤怒往往會導致表現出這種情緒，而刻意追求結果則會讓人覺得表演是被迫的。

There was a scene in The Master I shot with Joaquin.

大師》中有一場戲是我和華金一起拍的。

I had in my head how the scene was going to go.

我腦子裡已經想好了場景的走向。

I was supposed to wake him up, and he wasn't waking up.

我本該叫醒他，但他沒有醒來。

Because I was like, no, here's how the scene goes.

因為我當時想，不，場景是這樣的。

And I learned a lesson from that, though.

I mean, eventually we got there, but I had in my head how the scene was going to go.

我的意思是，最終我們到達了那裡，但我腦子裡想的是那場戲會怎樣發展。

Acting is active, and therefore an actor's focus is often on an actable objective or goal rather than an emotion.

表演是主動的，是以演員的關注點往往是可行動的目標或目的，而不是情感。

If you can walk into an actor and say, just crowd the other guy.

如果你能走到一個演員面前，說："擠開對方。

That's such an active thing that the actor can do.

這是演員可以做的非常積極的事情。

You don't want to give, like, I mean, you can give faster, slower, but that's usually not useful.

你不想給，比如，我的意思是，你可以給得更快或更慢，但那通常沒什麼用。

Things like, and the goal in this scene is, make yourself understood or something like that.

比如，這個場景的目標是，讓自己被理解之類的。

Because then you get to see their wheels turn about, how do they do that?

因為這樣你就能看到他們的車輪在轉動，他們是怎麼做到的？

And there is often a temptation to believe a great actor is someone who censors themselves, aiming for subtlety and the most emotional of scenes.

人們往往會認為，優秀的演員都會對自己進行嚴格的審查，追求細膩和最動情的場面。

I said, I'm going to do my work as an actress, and I'm going to make it real small, Denzel.

我說，我要做我的演員工作，我要把它做得很小，丹澤爾。

And I said, well, I'm doing a small for the screen.

我說，好吧，我正在拍一部銀幕小品。

He said, well, do what you think is too big.

他說，那就做你認為太大的事吧。

And he said, I don't think that's too big.

Great performances don't hinge on an actor choosing when to hesitate, stutter, wink, or grimace, but rather being in the moment.

出色的表演並不取決於演員選擇何時猶豫、結巴、眨眼或齜牙咧嘴，而是取決於演員是否身臨其境。

字幕列表影片播放

好演技與大演技 (Good Acting vs GREAT Acting)

stuff

vulnerable

trait

multiple